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SONGS of BROTHERHOOD

 

 

 

 

 

 

 

 

 

SONGS of BROTHERHOOD
Peter Kearney's first published songs/ folk-hymns.
Published as music book 1966 by J.Albert and Son, Sydney. No recording.
Contained: 'Fill My House' and 'The Beatitudes' which became internationally known.
'Fill My House' and 'The Beatitudes' are included on 'Make Me a Song..."  double CD.
'Born Anew' is included on the 'Growing in God' CD.

Project History
Foreword by Peter Kearney

Excuse the title: 'Songs of Brotherhood'. These songs were written and published in 1966, before we songwriters became aware of the importance of inclusive language.

THE SONGS

1. Fill My House.

2. My Name is Lazarus

3. Brothers

4. Jesus Walked On The Water

5. When We Say That We Love

6. We Look To A Time

7. The Beatitudes

8. Anthem

9. Born Anew

10. Dry Bones

11. Like A Lonely Tree

12. A Song For Peace

13. Mister Jones

14. Birdie

PROJECT HISTORY

These songs were written while Peter Kearney was studying at Sydney University, 1966. A friendship with Fr. Ted Kennedy, the University Catholic chaplain at that time, was instrumental in bringing forth these songs which were first sung at University masses and soon became popular in schools and parishes throughout Australia, then spreading th the USA and many other countries.

Published by J. Albert & Son 1966, as music book only.
Piano arrangements by John Eyles.

No recording of the whole collection was ever made.
Individual songs have been included on other albums:
'Fill My House' and 'The Beatitudes' are included on the double CD: "Make Me a Song..." (The Best of 25 Years)
'Dry Bones' (with revised lyrics) is included on the CD 'All The World Is Sacred'.
'Born Anew' is included on the CD
'Growing in God'

FOREWORD by PETER KEARNEY
From 'Songs of Brotherhood' Music Book

"Men are being drawn 'closer and closer apart." (A. D . Hope.) In a time of alienation between men and nations, Christianity has a great deal to say. Its relevance lies not in its multitudinous trappings but in its basic doctrines as expressed by Christ and summarised in the word 'love'.

Most of the songs in this book are meant to be simple assertions of these doctrines in a language which is meaningful and in a musical idiom which is familiar - an expression of the age we live in. They are written chiefly for the guitar, which is itself distinctly modern and familiar. They are, I feel, a more meaningful embodiment of the Christian spirit than many hymns in current use, in which the language and musical idiom often belong to another century.

At the same time, our concern must be wider than the mere assertion of certain doctrines . 'Birdie' for instance, represents an attempt to delve a little deeper into the problems associated with love and idealism.

Peter Kearney, 1966

 

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