Madge Kearney

Thank you very much Sarah, that was wonderful. It was great. Our next guest is Betty Little, and Betty tells me she is very proud to say that she is Jimmy Little’s sister. In fact, the whole family are a musical family, and Betty has sang one of her own compositions at the Sea of Hands in Canberra recently. And we welcome Betty Little.

Betty Little

I’m also better looking than him. Don’t tell him that though, please. I was invited to a Linkup dinner back in Wollongong in ‘88, and my best friend Linda Brady and I, we sat down and thought we’d try and get some words together, about how the stolen babies and the children, and the many adults that are -- you know if you have damaged children, you will have damaged parents, and that’s what a lot of our past generations have been like. And so this song is called Reach for Me, and I’d like to sing this one for you.
 

Betty Little

For ten years of my life I spent running around, singing in pubs and clubs - I’m a non-drinker and a non-smoker - and it was just dreadful, I don’t know why I did it. I just feel quite sick, to think that I wasted ten years singing around in the pubs, only to have many songs that were sung, many songs I’ve heard, put women down. And I was always -- it was ok for me to be loved as a country music performer, but not as an Aboriginal country music performer. And I got sick and tired of the invisibility that I’ve had to live with all my life, as not an Aborigine, then not as a woman, and I just got fed up with this. So I got out of the country music scene, and I now write songs for women and Aboriginal issues, and I go around singing them wherever I can, as an educational thing. And I also do cultural awareness presentations all over the place. I take my guitar, I finish a lot of my sessions off with a song, because I believe music is a way of healing. And I feel like it settles the angry ones down, and it lifts me up, so it’s quite good to have that music there. And I’m often referred to as the singing lecturer. And I think that I’ve got a lot of love and respect for songwriters, and people that put their feelings down on paper.

And this song -- I was at an indigenous womens’ conference in ‘88, and there was an Aboriginal woman who was humming and singing words about -- this song I’m about to do for you now. And I said “oh look, I’d love to learn that, I’d love to be able to take that around, and share it around to a lot of people”. And it’s singing about the Protection Board, that we heard a bit about earlier. And this is how it goes:
 

Nell de Rome Aunty Nell -- can you hear me darl? We have a -- have my aunty Nell over there. I’m gonna do a song for you now, and then it’s for all other Aboriginal women, and then all the women here, and all the women of the world. I was invited as a guest singer to the International Womens’ Day in Sydney, a few years back, and I wrote this song. It’s called I come from a line of Koori Women, if you’re not familiar with the word Koori, it means Aboriginal, and so that’s what I’m singing about, my mum, my nan, and my --

Sally Waterford
Thank you Betty. Betty’s from the Yorta Yorta people.